Writing

November 2018

Feature: The Triumphant Return of Sheffield’s Art Scene – Frieze

October 2018

Review: Ways of Learning, Grand Union – Art Monthly, issue 420

September 2018

Review: Phil Collins: Can’t Do Right for Doing Wrong, HOME – Art Monthly, issue 419

August 2018

Feature: Why Liverpool’s Twice-Vandalized Memorial to Dead Migrants Stands as a Monument to Shame – Frieze

July 2018

Review: 10th Liverpool Biennial: ‘Beautiful world, where are you?’ – Frieze

Feature: Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene? – Frieze

June 2018

Feature: Assembly Salford: the possibility of longevity for artist-led organisations – a-n

Review: Glasgow International 2018 – Art Monthly, issue 417

May 2018

Review: de-leb: data as currency, the currency of data, Banner Repeater – Art Monthly, issue 416

April 2018

Feature: In Manchester and Salford, Sustainable Artist-Run Spaces Power Forward – Frieze

Review: Jasmina Cibic: This Machine Builds Nations, BALTIC Centre for Contemporary Art – Art Monthly, issue 415

March 2018

Feature: On Milk: a Story of Regulation and Control – Frieze

February 2018

Review: Andrew Lacon, Kate V Robertson, DCA – Art Monthly, issue 413

January 2018

Commissioned essay: …into the labyrinth, International 3 – Corridor8

December 2017

Feature: Trust New Art? – Corridor8

Writer in residence, commissioned essay 3 of 3: Larry Achiampong, 3-Phase, Jerwood Space

Writer in residence, commissioned essay 2 of 3: Nicola Singh, 3-Phase, Jerwood Space

Review: Raqs Media Collective: Twilight Language, the Whitworth – Art Monthly, issue 412

November 2017

Commissioned essay: In Profile: Maria Kulikovska – The Double Negative

Writer in residence, commissioned essay 1 of 3: Mark Essen, 3-Phase, Jerwood Space

Review: Nottingham Round-up: Primary, TG Gallery, New Art Exchange – Art Monthly, issue 411

Review: Joseph Buckley: Better Clone Sons, The Tetley – Frieze, issue 191

October 2017

Review: Stuart Middleton, Luiz Roque, Tramway – Art Monthly, issue 410

September 2017

Review: A Show About The Show, Scaffold Gallery / Bankley Studios & Gallery – Corridor8

Review: Edinburgh Round-up: The Fruitmarket Gallery, Talbot Rice Gallery, Collective – Art Monthly, issue 409

July 2017

Review: Manchester International Festival – ArtReview

Review: Simon Patterson: Safari – An Exhibition as Expedition, De La Warr Pavilion – Art Monthly, issue 408

June 2017

Review: Holly Hendry: Wrot, BALTIC Centre for Contemporary Art – Frieze, issue 188

Review: Aleksandra Domanović: Votives, Henry Moore Institute – Art Monthly, issue 407

May 2017

Review: Remko Scha, TG Gallery – Art Monthly, issue 406

April 2017

Review: Viktor Timofeev: If I could go to sleep for days, would you count the hours?, Two Queens – Art Monthly, issue 405

March 2017

Review: Birmingham Round-up: Eastside Projects, Grand Union, Centrala – Art Monthly, issue 404

Feburary 2017

Profile: Simeon Barclay – Art Monthly, issue 403

November 2016

Review: The Scientific Method, The Tetley – Art Monthly, issue 402

October 2016

Review: Mitra Saboury, Pulling Walls, Grand Union and Millennium Point – Frieze, issue 183

Review: Bristol Round-up: Arnolfini, Spike Island – Art Monthly, issue 401

Review: OutsiderXchanges, BALTIC Centre for Contemporary Arts – The Double Negative

September 2016

Review: Some Are Nights Others Stars, Towner Art Gallery – Art Monthly, issue 400

Commissioned essay: James Ackerley, Piecework, PERICLO

August 2016

Commissioned essay: Jenny Steele, An Architecture of Joy, the Grundy

Review: Yorkshire Round-up: Hepworth Wakefield, Leeds College of Art, S1 Artspace – Art Monthly, issue 399

July 2016

Review: Diagonal Noise, Castlefield Gallery – Art Monthly, issue 398

June 2016

Review: Midlands Round-up: Eastside Projects, Grand Union, New Art Gallery Walsall, Rugby Art Gallery & Museum – Art Monthly, issue 397

May 2016

Review: Ryoichi Kurokawa, unfold, FACT – Art Monthly, issue 396

April 2016

Writer in residence: The Royal Standard / The Double Negative
Resulting essay, James Harper: Curating by Accident

Review: The Imitation Game, Manchester Art Gallery – Art Monthly, issue 395

March 2016

Review: Larissa Sansour, In the Future They Ate From the Finest Porcelain, New Art Exchange – Art Monthly, issue 394

January 2016

Review: The Feast Wagon, The Tetley – Art Monthly, issue 392

November 2015

Review: DANCEHALL 11, Castlefield Gallery – Corridor8

October 2015

Review: Benedict Drew, KAPUT, QUAD – Art Monthly, issue 390

Review: Bedwyr Williams, The Starry Messenger, the Whitworth – Corridor8

July 2015

Review: Real Painting, Castlefield Gallery – thisistomorrow

June 2015

Review: The heart is deceitful above all things, HOME – Corridor8

May 2015

Review: The Whole Wide World, International 3 – Corridor8

January 2015

Review: 30 Years of the Future, Castlefield Gallery – Corridor8

August 2014

Commissioned essay: Kelly Best and Mark Houghton, Everything Else is Just the Weather, Mark Devereux Projects

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