October 2021
Review: British Art Show 9, Aberdeen Art Gallery – Art Monthly, issue 450
July 2021
Review: Leo Fitzmaurice: Enjoy Civic Life, Humber Street Gallery – Art Monthly, issue 448
June 2021
Feature: Chillida – OOF Magazine, issue 7
April 2020
Review: Sean Edwards: Undo Things Done, Ty Pawb – Art Monthly, issue 435
March 2020
Review: Seized by the Left Hand, DCA – Art Monthly, issue 434
November 2019
Feature: The time of her life: how Nnena Kalu turned Patrick Swayze videos into art – The Guardian
Commissioned essay: John Powell-Jones, Slime of UR Life
September 2019
Review: Liam Fallon: Supersymmetry, Turnpike Gallery – Art Monthly, issue 429
August 2019
Feature: How many likes for Da Vinci? Why it’s fine to take pictures in an art gallery – The Guardian
June 2019
Feature: Larry Achiampong profile – Art Monthly, issue 427
April 2019
Review: Harry Meadley: But what if we tried?, Touchstones Rochdale – Art Monthly, issue 425
March 2019
Review: The Range, Eastside Projects – Art Monthly, issue 424
February 2019
Review: Forms of Address, Laure Genillard – Art Monthly, issue 423
January 2019
Feature: Hardeep Pandhal: the rapping artist who works with his mum – The Guardian
December 2018
Review: Chris Paul Daniels: Northern Lights, The Grundy – Art Monthly, issue 422
November 2018
Review: Heather Phillipson: The Age of Love, BALTIC Centre for Contemporary Art – Burlington Contemporary
Feature: The Triumphant Return of Sheffield’s Art Scene – Frieze
October 2018
Review: Ways of Learning, Grand Union – Art Monthly, issue 420
September 2018
Review: Phil Collins: Can’t Do Right for Doing Wrong, HOME – Art Monthly, issue 419
August 2018
Feature: Why Liverpool’s Twice-Vandalized Memorial to Dead Migrants Stands as a Monument to Shame – Frieze
July 2018
Review: 10th Liverpool Biennial: ‘Beautiful world, where are you?’ – Frieze
Feature: Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene? – Frieze
June 2018
Feature: Assembly Salford: the possibility of longevity for artist-led organisations – a-n
Review: Glasgow International 2018 – Art Monthly, issue 417
May 2018
Review: de-leb: data as currency, the currency of data, Banner Repeater – Art Monthly, issue 416
April 2018
Feature: In Manchester and Salford, Sustainable Artist-Run Spaces Power Forward – Frieze
Review: Jasmina Cibic: This Machine Builds Nations, BALTIC Centre for Contemporary Art – Art Monthly, issue 415
March 2018
Feature: On Milk: a Story of Regulation and Control – Frieze
February 2018
Review: Andrew Lacon, Kate V Robertson, DCA – Art Monthly, issue 413
January 2018
Commissioned essay: …into the labyrinth, International 3 – Corridor8
December 2017
Feature: Trust New Art? – Corridor8
Writer in residence, commissioned essay 3 of 3: Larry Achiampong, 3-Phase, Jerwood Space
Writer in residence, commissioned essay 2 of 3: Nicola Singh, 3-Phase, Jerwood Space
Review: Raqs Media Collective: Twilight Language, the Whitworth – Art Monthly, issue 412
November 2017
Commissioned essay: In Profile: Maria Kulikovska – The Double Negative
Writer in residence, commissioned essay 1 of 3: Mark Essen, 3-Phase, Jerwood Space
Review: Nottingham Round-up: Primary, TG Gallery, New Art Exchange – Art Monthly, issue 411
Review: Joseph Buckley: Better Clone Sons, The Tetley – Frieze, issue 191
October 2017
Review: Stuart Middleton, Luiz Roque, Tramway – Art Monthly, issue 410
September 2017
Review: A Show About The Show, Scaffold Gallery / Bankley Studios & Gallery – Corridor8
Review: Edinburgh Round-up: The Fruitmarket Gallery, Talbot Rice Gallery, Collective – Art Monthly, issue 409
July 2017
Review: Manchester International Festival – ArtReview
Review: Simon Patterson: Safari – An Exhibition as Expedition, De La Warr Pavilion – Art Monthly, issue 408
June 2017
Review: Holly Hendry: Wrot, BALTIC Centre for Contemporary Art – Frieze, issue 188
Review: Aleksandra Domanović: Votives, Henry Moore Institute – Art Monthly, issue 407
May 2017
Review: Remko Scha, TG Gallery – Art Monthly, issue 406
April 2017
Review: Viktor Timofeev: If I could go to sleep for days, would you count the hours?, Two Queens – Art Monthly, issue 405
March 2017
Review: Birmingham Round-up: Eastside Projects, Grand Union, Centrala – Art Monthly, issue 404
Feburary 2017
Profile: Simeon Barclay – Art Monthly, issue 403
November 2016
Review: The Scientific Method, The Tetley – Art Monthly, issue 402
October 2016
Review: Mitra Saboury, Pulling Walls, Grand Union and Millennium Point – Frieze, issue 183
Review: Bristol Round-up: Arnolfini, Spike Island – Art Monthly, issue 401
Review: OutsiderXchanges, BALTIC Centre for Contemporary Arts – The Double Negative
September 2016
Review: Some Are Nights Others Stars, Towner Art Gallery – Art Monthly, issue 400
Commissioned essay: James Ackerley, Piecework, PERICLO
August 2016
Commissioned essay: Jenny Steele, An Architecture of Joy, the Grundy
Review: Yorkshire Round-up: Hepworth Wakefield, Leeds College of Art, S1 Artspace – Art Monthly, issue 399
July 2016
Review: Diagonal Noise, Castlefield Gallery – Art Monthly, issue 398
June 2016
Review: Midlands Round-up: Eastside Projects, Grand Union, New Art Gallery Walsall, Rugby Art Gallery & Museum – Art Monthly, issue 397
May 2016
Review: Ryoichi Kurokawa, unfold, FACT – Art Monthly, issue 396
April 2016
Writer in residence: The Royal Standard / The Double Negative
Resulting essay, James Harper: Curating by Accident
Review: The Imitation Game, Manchester Art Gallery – Art Monthly, issue 395
March 2016
Review: Larissa Sansour, In the Future They Ate From the Finest Porcelain, New Art Exchange – Art Monthly, issue 394
January 2016
Review: The Feast Wagon, The Tetley – Art Monthly, issue 392
October 2015
Review: Benedict Drew, KAPUT, QUAD – Art Monthly, issue 390
Tom Emery 